“Since the 1980s, I have focused on human-technology integration and the relationship between arts/design and science. My theoretical activity is concerned with human enhancement and the methods for elevating human capabilities through the media of AGI, nanomedicine and biotechnology, and within the artistic practices of visual, narrative, and biological arts and toward the emergence of new media/methods.” Natasha’s CV is located here: http://www.natasha.cc/cv.htm

Natasha is a new media design theorist and university lecturer. She is a PhD researcher University of Plymouth, Faculty of Arts, School of Art and Media; holds a MPhil, University of Plymouth, Faculty of Technology, School of Communications, Computers and Electronics; an MSc, University of Houston, Future Studies, Social Sciences and Humanities; a BFA, University of Memphis, Painting, Sculpture and Printmaking; was filmmaker-in-residence, University of Colorado; and holds Certificates in Nutrition and Sports Training, American Muscle & Fitness Association.
Natasha’s research concerns the aesthetics of human enhancement and radical life extension, with a focus on sciences and technologies of nanotechnology, biotechnology, information technology, and cognitive and neuro sciences (NBIC). Her conceptual future human design ―Primo Posthuman‖ has been featured in Wired, Harper’s Bazaar, Marie Claire, The New York Times, U.S. News & World Report, Net Business, Teleopolis, and Village Voice. She has appeared in over twenty-four televised documentaries on the future and culture, and has exhibited media artworks at National Centre for Contemporary Arts, Brooks Memorial Museum, Institute of Contemporary Art, Women In Video, Telluride Film Festival, and United States Film Festival and recently “Evolution Haute Couture: Art and Science in the Post-Biological Age”. Natasha has been the recipient of several awards: First Place Award at Brooks Memorial Museum, Special Recognition at Women in Video, and Best Graduate Student Project of 2005 for her “Futures Podcast Series: at the University of Houston, Future Studies program.
Natasha is a proponent human rights and ethical means for human enhancement, and is published in Artifact, Technoetic Arts, Nanotechnology Perceptions, Annual Workshop on Geoethical Nanotechnology, Death And Anti-Death. She has a bi-monthly column in Nanotechnology Now, is a Guest Editor of The Global Spiral academic journal and on the Editorial Board of International Journal of Green Nanotechnology. Natasha authored Create / Recreate: the 3rd Millennial Culture on the emerging cybernetic culture and the future of humanism and the arts and sciences. She co-authored One on One Fitness, a guide to nutrition and aerobic and anaerobic exercise for women.

What does second-order cybernetics have to do with human enhancement?

I anticipate human physiology going through a transformative resolution much as astronomy did with the Copernicus Revolution, as physics did with Quantum mechanics, as heredity did with the Principles of Inheritance, and as medicine with the Genome Revolution. The one element which is essential to the transformation of physiology is its self-directed nature.

Years ago, in the 1950-70s, a group of individuals with varied backgrounds were deeply drawn to two distinct areas of scientific study—biology and cognition. One such enthusiast was Norbert Weiner, an engineer and a philosopher, who applied the term “cybernetics” to the growing interest in communications and patterns of behavior. Taking this concept to a more inclusive set of principles, Margaret Mead and Gregory Bateson emphasized the element of ecology of variables through second-order cybernetics. Our entire environment and its universe is an independent but interrelated, unified wholesystem, and we as life forms within this system are agents of our own physiological system. Thinking mechanisms, specifically computer generated, are interconnected systems of communications, feedback and observation.

Enhancing physiology relates to new types of human bodies, brains and behaviors, which need better processes for observation and feedback. We need to be aware what is occurring with our cells, organs and internal systems. We need to recognize how to formulate knowledge based on more intelligent and rigorous assimilation of information. We also need to be more conscious of our behaviors in how we communicate with others and how we protect our well-being. Put to the test of problem-solving, the elements form a design ecology of human enhancement.

In short, the odds are that technology will immeasurably extend human life. Until then, we need to stay alive. What ideas, means, and methods are available?

My talk covers the Human Enhancement Project as one place to start. The project began in the late 1990s with designs for transhuman and posthuman prototypes. From 2004 to 2008, it initiated a theory of human enhancement as an adaptive system and linking already available information on scientific, technological and philosophical approaches to human futures. Technology’s array of high-tech systems of robotics, AI, computer-based simulations, biotech and nanotech evidence the potential for augmenting our physiology. Sciences’ cybernetic study of systems and models imparts the awareness that ideas, means, and methods are integrated. From 2008 to the present, it has been looking for answers in dealing with a central issue that while a large percentage of society in the Western world considers certain technological augmentations as normal; an even larger percentage of socio-biopolitics considers technological enhancement as abnormal and even repugnant. This is a predicament.

The Human Enhancement Project delivers a developing sensibility which every citizen scientist might want to know for participating in an enhancement design ecology.

I look forward to seeing you all at the Summit!

Genetically enhance humanity or face extinction – PART 1 from Ethics of the New Biosciences on Vimeo.

Q&A

Genetically enhance humanity or face extinction – PART 2 from Ethics of the New Biosciences on Vimeo.

Hat tip to Ramez Naam who posted this earlier today on Facebook.